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Two female models seated against a tiled wall in Dazed Magazine Sink or swim editorial photographed by Clara Belleville
Wet-haired female model in a swimming pool wearing earrings with other models in the background for Dazed Magazine
Three models in swimwear inside a tiled shower room with blue and white tiles for Dazed Magazine editorial
Model in black headscarf and black swimwear standing near a pool with lockers
Models in a locker room setting wearing lingerie and athletic apparel for Dazed Magazine project Sink or swim.
Model wearing a blue patterned swimsuit leaning against a tiled pillar by an indoor swimming pool
Black woman in a dark swimsuit standing in a swimming pool with two people in the background
Two models sitting on a wooden bench against a tiled wall, wearing swimwear and socks, for Dazed Magazine.
Model floating in water wearing a textured metallic top with a red lace collar for Dazed Magazine.
Two female models seated against a tiled wall in Dazed Magazine Sink or swim editorial photographed by Clara Belleville
Wet-haired female model in a swimming pool wearing earrings with other models in the background for Dazed Magazine
Three models in swimwear inside a tiled shower room with blue and white tiles for Dazed Magazine editorial

Dazed Magazine Sink or swim 2025

About

Dazed Magazine's 'Sink or swim' editorial explores aquatic themes through a series of composed fashion portraits. Shot by photographer Clara Belleville, the project leans into a clean aesthetic, utilizing architectural tiled interiors, public bathhouses, and pool environments to frame the latest swimwear collections. Under the fashion direction of Imruh Asha and art direction by Gareth Wrighton, the imagery employs natural light to accentuate the textures of the apparel and the surroundings. Styling by Morgane Camille defines the silhouettes, ranging from structured swimwear to layered sets. The production features models including Jessie Craig and Sam Laban, with hair by Vi Sapyyapy and makeup by Adrien Pinault. The casting for the shoot was led by Aymeric, with the project overseen by editor-in-chief Ib Kamara.

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