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Black and white fashion image of Grace Elizabeth posing on a city street with parked cars and storefront display reflection for Carolina Herrera
Grace Elizabeth walking in a black coat and heels holding a handbag past a storefront.
Model Grace Elizabeth crossing a city street carrying a structured leather handbag for Carolina Herrera
Close-up portrait of model Grace Elizabeth wearing a small padlock earring for Carolina Herrera
Grace Elizabeth in a black dress holding a handbag on a city sidewalk for Carolina Herrera
Grace Elizabeth holding a newspaper overhead in sunlight, wearing a cream cable-knit sweater, dark patterned skirt, and burgundy clutch.
Model holding a burgundy leather clutch while partially obscuring her face with a newspaper under strong sunlight
Model Grace Elizabeth in a black and white plaid cape holding a baguette outside a cafe
Grace Elizabeth walking outdoors wearing a dark cardigan, blue shirt, satin skirt, and gloves for Carolina Herrera
Black and white editorial photograph of a classic stone statue next to a curved brick building exterior.
Black and white fashion image of Grace Elizabeth posing on a city street with parked cars and storefront display reflection for Carolina Herrera
Grace Elizabeth walking in a black coat and heels holding a handbag past a storefront.
Model Grace Elizabeth crossing a city street carrying a structured leather handbag for Carolina Herrera

Carolina Herrera A DAY WITH MATRYOSHKA POCKET 2026

About

A Day With Matryoshka Pocket is a fashion editorial campaign for Carolina Herrera that captures the brand’s latest handbag silhouette within a curated urban landscape. Creative director Javier Ordax and photographer David Portela anchor the project in a series of observational, cinematic vignettes featuring model Grace Elizabeth. The imagery utilizes a blend of high-contrast monochrome and warm, natural light to emphasize the textures of luxury knitwear and structured leather. By grounding the accessories in authentic city environments—ranging from sunlit pedestrian crossings to moody dusk storefronts—the work leans into an analogue film aesthetic, prioritizing a tactile, gritty quality over artificial polish.

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