Self Service

Mar 2026

In the pages of Self Service, the editorial project titled The Obsessions, lensed by photographer Krisztián Éder, serves as a masterclass in monochromatic visual storytelling. Working in close collaboration with creative director Lana Petrusevych and fashion editor Tony Irvine, the series leans into an intimate, raw aesthetic that captures the essence of contemporary luxury fashion through a restrained, black-and-white lens. The imagery, frequently shot on analogue film and 35mm film, utilizes high-contrast chiaroscuro lighting and natural light to emphasize the tactile quality of intricate lace, heavy knits, and delicate beadwork worn by model Rebecca Leigh Longendyke. The project oscillates between cinematic portraiture and structured editorial minimalism, creating a dialogue between the subject's intense, direct gaze and the deliberate stillness of the surrounding environments. With meticulous attention to detail from a team including hair stylist Kalle Eklund, makeup artist Yumi Lee, and set designer Ian Salter, the work transcends traditional fashion portraiture, channeling a moody, timeless quality. By stripping away the distraction of color, Éder invites a deep focus on the architectural tailoring of the garments and the nuanced expressions of the talent, resulting in a cohesive series that feels both spontaneous and profoundly considered.

Editorial, Vertical, Vertical

Natural light, Natural light

Luxury Fashion Houses, Luxury Fashion Houses, Fashion, Fashion