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Model Paul Hameline posing dynamically on one leg in a grey tailored suit and green shirt against a white studio background.
Models Paul Hameline in a cream blazer and light blue jeans posing with Anna Robinson against a white seamless studio backdrop.
Model with long brown hair wearing a dark shirt and patterned tie against a light background
Paul Hameline wearing a white tank top, brown jacket, and light wash jeans posing against a white studio background.
Model Paul Hameline wearing a pale yellow graphic t-shirt and pinstripe trousers against a pale seamless studio backdrop.
Model from behind in a charcoal tailored blazer with another person's arm draped over her shoulder against a neutral backdrop.
Paul Hameline wearing a cream collared shirt and brown flared trousers leaning on a white fluted pedestal against a seamless background.
Close-up of a person's hand grasping another person's forearm clad in an off-white dress shirt against a plain background.
Close-up of crossed hands and arms wearing a textured cream ribbed sleeve against a pale backdrop.
Model Paul Hameline posing dynamically on one leg in a grey tailored suit and green shirt against a white studio background.
Models Paul Hameline in a cream blazer and light blue jeans posing with Anna Robinson against a white seamless studio backdrop.
Model with long brown hair wearing a dark shirt and patterned tie against a light background

Purple Magazine The Analog Issue 2025

About

Purple Magazine's The Analog Issue features a series of fashion editorials centered on clean silhouettes and minimalist studio composition. Photographed by Patrick Bienert and styled by Joseph Ecorchard, the project leans into nostalgic and desaturated tones to create a tactile aesthetic. Through a series of portrait and gesture-focused shots, the editorial prioritizes fabric texture and subtle tonal gradients against neutral white backdrops. With art direction from Editor-in-Chief Olivier Zahm and casting by Julia Lange, the visuals feature models Paul Hameline and Anna Robinson. The project utilises soft lighting and analogue film techniques to reinforce its vintage-inspired editorial direction, with hair styling by Pierre Saint Sever and makeup by Eny Whitehead.

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