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Model Lindsey Wixson lying on a single bed in a bedroom for the Modern Weekly China editorial I'd rather sleep
Lindsey Wixson standing on a wooden pier at night wearing a cream dress and white knee-high socks
Lindsey Wixson holding a birthday cake with floating balloons in front of a retro caravan for Modern Weekly China
Lindsey Wixson looking out a multi-pane bay window with yellow floral curtains in a fashion editorial for Modern Weekly China.
Model Lindsey Wixson in green dress holding lemon in interior setting with television screen showing eye for Modern Weekly China
Model Lindsey Wixson in purple blouse seated at an outdoor table for Modern Weekly China editorial
Close-up portrait of model Lindsey Wixson looking wide-eyed and shocked with subtitle text at the bottom
Lindsey Wixson in a red dress surrounded by colorful balloons in a tiled room for Modern Weekly China
Model Lindsey Wixson seated at a table in a diner filled with colourful floating balloons and hanging ribbons for an editorial shoot.
Model Lindsey Wixson walking through a dark forest at night with subtitle text overlaid, captured for Modern Weekly China.
Lindsey Wixson seated on a red playground swing holding a potted plant in an outdoor lot with a caravan and concrete wall
Model Lindsey Wixson lying on a single bed in a bedroom for the Modern Weekly China editorial I'd rather sleep
Lindsey Wixson standing on a wooden pier at night wearing a cream dress and white knee-high socks
Lindsey Wixson holding a birthday cake with floating balloons in front of a retro caravan for Modern Weekly China

Modern Weekly China I'd rather sleep 2025

About

For Modern Weekly China, I'd rather sleep is a fashion editorial series that constructs a fragmented, cinematic narrative. Starring model Lindsey Wixson, the project moves between domestic interiors and surreal outdoor settings, utilizing a distinctive documentary-style aesthetic and embedded subtitle captions to evoke a hazy, dreamlike atmosphere. Photographer and creative director Jumbo Tsui defines the project's visual language, oscillating between moody flash-lit night photography and soft, desaturated natural light captures. The series leans into a retro sensibility, employing grainy textures and a nostalgia-driven color palette to explore intimate, often uncanny vignettes. Fashion styling by Serafin Zielinski and makeup artistry by Marianna Yurkiewicz ground the ethereal imagery in vibrant, varied wardrobe choices. The production was managed by executive producer Julien Pegourier and producer Mateusz Bzowka, resulting in a cohesive editorial sequence that bridges high-concept fashion photography with a narrative, analogue film feel.

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