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Sculptural tower installation of stacked cork discs, blue patterned cylinders, and small spheres on a light surface.
Blue and tan leather necklace resting on a textured arrangement of pink rectangular blocks.
Hanging leather sculpture in green, white, and tan suspended from a makeshift wooden structure against a neutral wall.
Overhead view of sculptural white objects with colored leather inserts arranged in open cardboard shipping boxes
Blue bucket with leather handle resting on metallic sheets arranged radially on a grey textured surface
Wooden stool with a round circular top object and metallic element set against a vibrant blue backdrop roll in a studio.
Sculptural tower installation of stacked cork discs, blue patterned cylinders, and small spheres on a light surface.
Blue and tan leather necklace resting on a textured arrangement of pink rectangular blocks.
Hanging leather sculpture in green, white, and tan suspended from a makeshift wooden structure against a neutral wall.

Lampoon Magazine Lampoon x Hermes 2026

About

In a striking collaboration between Lampoon Magazine and Hermès, this project elevates the definition of luxury accessories by transposing high-end design into the realm of conceptual fine art. Photographed by Clémentine Passet, the series masterfully leans into editorial minimalism, eschewing standard commercial tropes in favor of sculptural storytelling. The visuals feature a precise interplay of industrial materials and delicate craftsmanship, where the brand's iconic bags and jewelry are treated as architectural elements rather than mere products. Pierre-Alexandre Fillaire provides an essential contribution as the set designer, constructing environments that range from vibrant blue backdrops to stark, cardboard-lined modules. This creative direction emphasizes tactile contrast, juxtaposing the smooth grain of olive and tan leather against the raw, industrial textures of brushed metal, cork, and foam blocks. By utilizing a mix of instant Polaroid aesthetics and polished studio strobe lighting, the work achieves a cinematic quality that feels both experimental and refined. The project succeeds in framing fashion as an avant-garde pursuit, inviting viewers to appreciate the geometric silhouette and modular potential of the collection through a lens that prizes form over function. Through this intentional, quiet approach to product editorial, the collaboration successfully bridges the gap between commercial fashion imagery and gallery-worthy art installation, proving that even the most established luxury goods can be reimagined with fresh, sculptural perspectives.

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