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Model in a black pleated dress with a low V-back and delicate pendant necklace against a textured wall
Model Famke van Hasselt wearing a patterned pleated skirt in a monochrome editorial portrait for Giada FW26
Model wearing a pleated ombré dress with a thin belt standing against a weathered concrete wall.
Model Famke van Hasselt wearing a dark belted dress and boots against a textured concrete wall for Giada FW26
Triptych fashion layout featuring a female model in dark dresses and coats holding a fur stole against neutral studio backgrounds.
Model Famke van Hasselt in a white top and black skirt with leather gloves against a grey backdrop
Model Famke van Hasselt seated on a dark chair against a concrete wall for GIADA FW26 Pre Fall Collection
Model wearing dark burgundy leather opera gloves and dark sweater sitting against a neutral grey studio backdrop
Model Famke van Hasselt wearing a belted coat with a fur stole and black boots against a concrete wall
Model Famke van Hasselt in a white patterned tunic dress against a neutral grey studio background by photographer Domenico Petralia.
Model in a black pleated dress with a low V-back and delicate pendant necklace against a textured wall
Model Famke van Hasselt wearing a patterned pleated skirt in a monochrome editorial portrait for Giada FW26
Model wearing a pleated ombré dress with a thin belt standing against a weathered concrete wall.

Giada GIADA FW26 Pre Fall Collection 2026

About

The Giada FW26 Pre-Fall collection campaign presents a series of minimalist fashion editorial portraits, photographed by Domenico Petralia. Centered on model Famke van Hasselt, the imagery explores structured tailoring and fluid silhouettes against weathered concrete and neutral studio backgrounds. Utilizing a monochrome palette and techniques such as analogue film and chiaroscuro lighting, the series emphasizes tactile material quality, from delicate floral embroidery to rich fur-trimmed layers. The production team, including hair stylist Loris Rocchi and makeup artist Cosetta Giorgetti, leans into a clean, polished aesthetic to highlight the architectural lines of the garments. The project was further supported by casting director Shaun Beyen and manicurist Annarel Innocente.

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