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·A conversation with Eduard Torres

Portrait of a man wearing dark sunglasses, a white collared shirt, and a dark jacket against a dark background.

Man wearing dark sunglasses and a sheer striped top looking over his shoulder against a plain white background with a collage of photographs

A man wearing sunglasses and shorts poses dynamically with legs extended against a wall beside a tiled photo collage.

Portrait of a man in a white shirt and black jacket with glasses held in his mouth against a white wall.

Portrait of a man wearing dark sunglasses, a striped top, and a dark jacket against a dark background.

Man in a black leather jacket and sunglasses reclining in a chrome armchair in front of a tiled photo collage on a white wall.

Man wearing blue sweater and tan skirt dancing in a white room with a photo collage on the wall

Close-up black and white portrait of a man lowering dark sunglasses with both hands to look directly into the camera.

Shirtless man seen from behind stretching his arms upward in front of a tiled monochrome photo print on a white studio wall.

Man from behind facing a white wall with a grid of photo prints, wearing a dark pinstripe jacket and striped top.

Man lying inverted on his back with legs raised, wearing light blue shorts, open striped shirt, and sunglasses against a white wall.

Man spinning in a long flowing black leather trench coat and grey wide-leg trousers in a minimalist studio setting.

Portrait of a man in a grey striped robe and sunglasses against a white wall with a poster

Shirtless man lying on a dark concrete surface wearing an open grey robe and light boxer shorts while holding sunglasses.

Portrait of a man wearing a striped sheer top and dark jacket against a plain wall.

Fucking Young A conversation with Eduard Torres 2023

About

Fucking Young presents "A conversation with Eduard Torres," an editorial fashion series that explores movement and sartorial texture through the lens of photographer Gabriel Vorbon. The project leans into a minimalist aesthetic, utilizing clean studio backdrops, polished concrete, and gridded photographic collages to frame its subject. Technically diverse, the series transitions between high-contrast, chiaroscuro-heavy monochrome shots and bright, natural light portraiture. Vorbon employs analogue film techniques and visible grain throughout, lending a raw, cinematic quality to the composition. The styling emphasizes fluid silhouettes and layered textures, anchored by consistent, sharp tailoring.