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Model Alex Consani poses in a beige mini dress covered in makeup compacts against a studio backdrop for Beauty Papers.
Close-up portrait of model Alex Consani with face-lifting tape and pins for Beauty Papers Monroe project by Oliver Hadlee Pearch.
Portrait of model Alex Consani with blonde hair and feathered neckpiece for Beauty Papers project Monroe
Model Alex Consani wearing a dress adorned with makeup compacts for the Monroe project in Beauty Papers.
Alex Consani in a red off-the-shoulder dress with bold pink eyeshadow against a grey seamless backdrop for Beauty Papers Monroe.
Model Alex Consani wearing a beige tubular headpiece in an editorial portrait for Beauty Papers
Model Alex Consani wearing a clear plastic cape and nude undergarments against a grey seamless background for Beauty Papers Monroe project
Close-up portrait of model Alex Consani laughing with white powder makeup on cheeks for Beauty Papers project Monroe.
Close-up portrait of model Alex Consani with blonde hair falling across her face for Beauty Papers Monroe project.
Model Alex Consani poses in a beige mini dress covered in makeup compacts against a studio backdrop for Beauty Papers.
Close-up portrait of model Alex Consani with face-lifting tape and pins for Beauty Papers Monroe project by Oliver Hadlee Pearch.
Portrait of model Alex Consani with blonde hair and feathered neckpiece for Beauty Papers project Monroe

Beauty Papers Monroe 2025

About

Beauty Papers presents Monroe, an editorial series that leans into sculptural beauty and high-concept portraiture. Shot by photographer Oliver Hadlee Pearch, the project features model Alex Consani in a collection of avant-garde looks that blur the line between fashion and cosmetic objectification. The series utilizes soft, directional lighting and a neutral studio backdrop to emphasize textural details, ranging from garments constructed out of compacts and cosmetic containers to elaborate prosthetic-inspired makeup applications. Fashion editor and stylist Vanessa Reid anchors the visual narrative, while Olivier Schawalder provides structural, retro-inspired hair styling and Sam Visser contributes expressive, theatrical makeup. The execution relies on a clean, editorial aesthetic, accented by precise manicures from Ama Quashie and casting by Rosie Vogel.

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