Model seated inside a vintage car interior wearing a black outfit and tall boots for an editorial shoot.

Model brushing hair outdoors standing near a pickup truck with fields in the background for Annabelle Magazine.

Model Astrid Østergaard seated on a brown leather sofa in the bed of a pickup truck on wet asphalt under an overcast sky.

Model Astrid Østergaard seated in a floral wingback armchair wearing oversized fur boots on wet asphalt outdoors.

Black and white editorial triptych showing two women posing around an open car on an empty outdoor road.

Diptych of model Astrid Østergaard leaning out of a car window with windblown hair wearing a patterned ruffled dress.

Model wearing a printed maxi dress standing outdoors with a large fringed lampshade worn over her head.

Astrid Østergaard lying across the hood of a vintage white Ford truck wearing a burgundy sweater and a voluminous white skirt.

Model seated on a concrete airfield wearing a patterned coat and tall boots under an overcast sky.

Astrid Østergaard riding in the back of a vintage pickup truck with windblown blonde hair for Annabelle Magazine.

Two women sitting in the open bed of a pickup truck, one eating an apple and the other wearing a large black furry hat.

Annabelle Magazine On The Move 2025

About

On The Move is a fashion editorial series produced for Annabelle Magazine that explores the intersection of transport and personal style. Captured by photographer Allyssa Heuze, the project leans into a nostalgic, cinematic aesthetic characterized by natural light and a muted color palette. The imagery follows model Astrid Østergaard through various outdoor settings, frequently utilizing vintage vehicles and rural landscapes to ground the series in a raw, desaturated atmosphere. The editorial features fashion styling by Tim Tobias Zimmermann, who combines structural corsetry, varied patterns, and tactile elements like fur and tweed to create layered, evocative looks. The production team, including hair stylist Hiro Furukawa and makeup artist Miki Matsunaga, emphasizes a natural, candid appearance across the series. The work frequently utilizes analogue film and grain techniques to lean into the nostalgic feel of the rural, open-field environment.