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Model Alay Deng stands in a purple tweed skirt suit and I Love NY t-shirt inside an airport terminal with vaulted ceilings.
Model Alay Deng from behind wearing an open-back brown oversized leather coat against a blue sky.
Model in a grey coat and bright blue tights standing inside a lounge with red seating and carpeting for WWD.
High-angle view of model Alay Deng seated on concrete wearing a grey dress with an expansive black lace trim skirt.
Alay Deng wearing an oversized white trailing tunic, black trousers, and sunglasses standing on red carpet by curved windows.
Model Alay Deng walking in a dark brown fringed coat and wooden clogs beside curved concrete architecture.
Model Alay Deng in a vivid cyan blue dress lying inverted on a tiled bench for WWD editorial.
Model Alay Deng wearing a grey midi dress and gold jewelry, leaning against a large slanted white architectural wall.
Model Alay Deng reclining on red seating in a pale slip dress, grey trench coat, and light blue tights.
Model Alay Deng stands in a purple tweed skirt suit and I Love NY t-shirt inside an airport terminal with vaulted ceilings.
Model Alay Deng from behind wearing an open-back brown oversized leather coat against a blue sky.
Model in a grey coat and bright blue tights standing inside a lounge with red seating and carpeting for WWD.

WWD Terminal a Runway 2026

About

In the series Terminal a Runway, WWD masterfully bridges the gap between high-concept luxury fashion houses and the iconic mid-century modern backdrop of the TWA Flight Center. This striking fashion editorial leans into the stark, sweeping architectural curves of the terminal, creating a deliberate tension between industrial minimalism and the tactile complexity of the garments. With expert photography by Tiffany Nicholson, the project captures a series of silhouettes—from oversized, structured trench coats to delicate lace-trimmed slip dresses—that seem perfectly at home within the space’s vaulted, futuristic geometry. The editorial aesthetic is anchored by natural light, which gently defines the textures of tweed, leather, and satin while casting dramatic shadows across the signature red carpeting. Fashion editor Alex Badia curates an eclectic, high-contrast wardrobe, punctuated by bold pops of turquoise and mint that challenge traditional palettes, while model Alay Deng brings a calm, composed energy to every frame. Supported by precise grooming from hair stylist Shin Arima and makeup artist Akiko Owada, the imagery excels through its interplay of negative space and movement. Whether focusing on the fluid motion of fringe or the rigid geometry of a button-down train, this editorial remains a compelling study of form, framing each ensemble as a sculptural entity within a historic, high-design landscape.

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