Model Juana Burga wearing a black dress with back buttons against a white studio wall for Harper's Bazaar Mexico

Model Juana Burga wearing a houndstooth coat and leather cap against an outdoor waterfront background

Model Juana Burga standing on building steps holding a dark leather handbag, captured in a black and white editorial.

Model Juana Burga in a long black button-down dress with an open back leaning against a wall

Model Juana Burga in a dark brown satin suit holding a tan suede handbag against a red brick wall for Harper's Bazaar Mexico.

Juana Burga in a houndstooth coat holding a black handbag against a waterfront city skyline

Model leaning against a red brick wall wearing a checked suit and holding a large brown bag, shot by Alex Salinas.

Model Juana Burga in a textured black coat against a neutral grey studio backdrop for Harper's Bazaar Mexico

Model Juana Burga wearing a trench coat and wide-leg trousers walking against a grey studio backdrop

Model Juana Burga in a black dress with a low back poses against a white wall for Harper's Bazaar Mexico, photographed by Alex Salinas.

Model Juana Burga walking on a waterfront boardwalk in a plaid coat with a yellow clutch, against a city skyline.

Model Juana Burga wearing an ivory jacket holding a brown clutch for Harper's Bazaar Mexico, photographed by Alex Salinas.

Model Juana Burga in a brown silk pantsuit holding a clutch outside a brick building for Harper's Bazaar Mexico.

Harper's Bazaar Mexico Una historia escrita a mano 2026

About

Una historia escrita a mano is a refined fashion editorial produced for Harper's Bazaar Mexico, featuring model Juana Burga. Photographed by Alex Salinas, the series leans into a sophisticated urban aesthetic, oscillating between minimalist studio environments and textured exterior backdrops such as weathered red brick and waterfront promenades. The project maintains a consistent focus on structured silhouettes and textile detail, utilizing natural light to highlight the contrast between tailored garments and architectural geometry. With creative direction from Editor-in-Chief Majo Guzman and styling by Rafael Linares, the editorial employs a mix of monochrome and desaturated palettes to establish its tone. Additional credits include hair by Niko Weddle and makeup by Claudia Oyanedel, ensuring a polished finish throughout the shoot. The imagery leverages clean compositions and analogue film techniques to capture the subjects with a timeless, editorial sensibility.