Sicky Magazine

May 2026

In Bummer In The Summer, Sicky Magazine leans into a sophisticated study of masculine identity, blending high-end fashion editorial sensibilities with a stripped-back, minimalist aesthetic. Through the lens of photographer Sarah Storch, the series serves as a masterclass in texture and intentional composition, utilizing both natural light and controlled studio strobe environments to articulate a modern narrative. Central to this project is model Max Bender, whose versatile range of expressions—from pensive and soft to intense and direct—anchors the visual storytelling. The editorial moves fluidly between clean, commercial portraiture and more avant-garde styling, incorporating delicate floral elements that contrast sharply against the ruggedness of leather jackets, charcoal wool, and intricate tattoo work. The project relies on editorial minimalism to maintain a sharp focus on its subject, often framing the model against neutral, muted backdrops that emphasize the tactile quality of the layered clothing. By eschewing over-production in favor of clarity and balance, the shoot effectively elevates the mundane into something sculptural. Whether capturing a quiet profile view or a striking high-contrast portrait, the imagery maintains a cohesive, refined energy that feels both contemporary and timeless, successfully demonstrating how a singular subject can embody a diverse spectrum of moods within a strictly controlled, deliberate visual framework.

Vertical, Editorial

Natural light