Numéro Switzerland

Jul 2026

In the latest editorial series for Numéro Switzerland, titled LOOSE ENDS, photographer Ellyse Anderson orchestrates a masterclass in modern minimalism. The project, which firmly cements its place within the luxury fashion sector, captures model Sanggun Lee through a lens that prizes architectural precision and tonal restraint. By utilizing both natural light and dramatic low-key chiaroscuro lighting, the series oscillates between the softness of tactile shearling and the rigid, geometric lines of urban environments. The styling emphasizes volume, pairing wide-legged trousers with structured, boxy jackets that echo the sharp, clean edges of the surrounding concrete and metallic structures. Throughout the portfolio, Anderson employs techniques such as analogue film and cinematic framing to heighten the sense of timelessness, ensuring each portrait feels intentional and poised. The interplay of light and shadow serves not merely as a technical choice but as a narrative tool, segmenting the frame to isolate the intricate textures of the garments against an understated, neutral backdrop. By focusing on the interplay between the human form and industrial design, this editorial moves beyond traditional fashion photography to explore a refined, deliberate aesthetic. The final result is a cohesive visual study that balances comfort and rigor, perfectly encapsulating the sophisticated, avant-garde spirit synonymous with Numéro Switzerland’s identity in the contemporary fashion landscape.

Editorial, Vertical

Natural light

Luxury Fashion Houses, Fashion