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Close-up portrait of a woman wearing black swimming goggles and a swim cap against a pale studio background.
Two female models in black swimwear and swim caps posing against a light background for Max Zara Sterck.
Two female models posing in swimwear against a plain studio background, with one standing and one lying on blocks.
Model Yente Reitsma wearing a black swim cap, dark goggles, and swimwear against a studio backdrop for Max Zara Sterck.
Two models posing in black and white cut-out swimwear and matching swim caps against a clean white backdrop.
Close-up portrait of a woman wearing black swimming goggles and a swim cap against a pale studio background.
Two female models in black swimwear and swim caps posing against a light background for Max Zara Sterck.
Two female models posing in swimwear against a plain studio background, with one standing and one lying on blocks.

Max Zara Sterck Max Zara Sterck Swimwear Campaign 2026

About

Max Zara Sterck elevates the genre of swimwear through a series of striking visual narratives that favor architectural precision over traditional beachside tropes. This swimwear campaign, captured with an exacting eye for form and silhouette, leans into a stark editorial minimalism that positions the collection as much as a study in geometry as it is in apparel. Through the lens of photographer Amanda Elise K, the project utilizes high-key lighting and meticulous studio strobe setups to emphasize the sculptural quality of the garments, from the rhythmic dance-like poses of the models to the sharp, cut-out details of the suits themselves. The aesthetic is defined by its clean, monochromatic palette, where the inclusion of vintage-style swim caps and sleek goggles transforms the models into fluid, athletic subjects against solid, neutral backgrounds. With fashion direction by Constant de Boer and expert casting by Michiel van Maaren, the work feels deeply conceptual, treating the swimwear as a secondary architecture for the body. By stripping away external distractions, the campaign forces a direct confrontation with texture, line, and movement, resulting in a series that is as much a portrait of form as it is a commercial statement. The result is a polished, professional showcase that masterfully bridges the gap between commercial appeal and the high-art sensibilities of modern editorial photography.

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