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Model wearing a red rose-embellished top and sunglasses against a stone wall
Two female models posing against a solid yellow background wearing patterned swimwear and sparkling diamond jewellery
Model wearing a black and white striped long-sleeve bodysuit and sunglasses against a vibrant yellow backdrop.
Model in patterned tweed dress leaning against an aged stone wall outdoors for L'Officiel Belgium editorial
Two female models posing outdoors against a stone building exterior for L'Officiel Belgium fashion editorial.
Model leaning against a weathered stone wall wearing a green t-shirt, black ruffled skirt, patterned tights, and heels.
Woman walking on green lawn wearing a flowing white cape, white platform heels, and holding a pale handbag by a stone building.
Model in patterned peach sleeveless tunic and trousers standing on an arched stone window ledge holding a round handbag.
Two models posing in beige and camel neutral fashion outfits with knee-high boots and a woven handbag in front of a stone building.
Model wearing a red rose-embellished top and sunglasses against a stone wall
Two female models posing against a solid yellow background wearing patterned swimwear and sparkling diamond jewellery
Model wearing a black and white striped long-sleeve bodysuit and sunglasses against a vibrant yellow backdrop.

L'Officiel Belgium make it SHORT 2025

About

L'Officiel Belgium's 'make it SHORT' is a fashion editorial series captured by photographer Jordi Terry. The project highlights a collection of seasonal silhouettes, ranging from structured tailoring and patterned separates to layered transitional outerwear, all set against a mix of weathered architectural stone facades and soft, spring-inspired outdoor landscapes. With fashion styling by Sharon Max, the imagery channels a classic aesthetic defined by clean compositions and warm, natural light. The styling emphasises sharp textures and graphic patterns, further enhanced by hair styling from Brigitte Merinho. Models Alize Cekic and Patricia Del Valle anchor the story, with the editorial utilising both analogue film techniques and vertical framing to deliver a cohesive, tactile visual narrative.

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