Dark brown leather puffer jacket styled over a mid-century swivel armchair against a pale grey studio backdrop.

Model in a grey suit jacket and matching shorts standing against gathered grey fabric drapes in a fashion portrait.

Aubrey O'Mahony wears a grey pinstripe overcoat and black tie while holding a vintage handheld radio against pleated curtains.

Aubrey O'Mahony posing in a grey overcoat, tan suit, and blue turtleneck against pleated curtains for Les Hommes Publics.

Model Aubrey O'Mahony stands in a matching beige shirt, tie, and pleated trousers in a photo studio beneath overhead lighting.

Model Aubrey O'Mahony standing in a dark short-sleeve shirt, pleated trousers, and loafers in front of a grey curtain.

Model Aubrey O'Mahony wearing a white long-sleeve shirt and drawstring trousers against a solid black background.

Aubrey O'Mahony wearing an open black coat, dark briefs, and sunglasses against a mint green backdrop.

Shirtless male model wearing blue high-waisted trousers against a solid black background

A black leather Dior slip-on shoe with gold hardware and a vintage communication device on a dark brown leather ottoman.

Aubrey O'Mahony poses in a red knit turtleneck sweater and wide-leg glossy blue jeans against a pale seamless studio backdrop.

Aubrey O'Mahony in a white turtleneck and black culottes with one foot on a leather stool against glass panels.

Model Aubrey O'Mahony lounges across three brown leather swivel stools wearing a black blazer, beige trousers, and loafers.

Model Aubrey O'Mahony seated on a stool in an all-black outfit holding a beige monogram handbag against a white studio background.

Aubrey O'Mahony seated in a brown leather armchair wearing a patterned knit shirt and neck scarf in front of grey curtains.

Les Hommes Publics Looking at You 2026

About

Looking at You, the latest editorial campaign from Les Hommes Publics, serves as a masterclass in modern sartorial precision. Under the expert creative direction of Antonio Moscogiuri and captured through the lens of photographer Nagi Sakai, the series leans into an aesthetic of deliberate restraint and architectural minimalism. The project explores the intersection of high fashion and professional environments, utilizing studio strobe lighting to emphasize the structural integrity of layered ensembles, from structured overcoats to sharp, tailored suits. With styling by Aryeh Lappin and grooming by Roberto Di Cuia, the imagery transforms the male form into a sculptural element, often juxtaposing human subjects against clean, neutral studio backdrops or mid-century furniture. The campaign channels a cinematic sensibility, employing low-key chiaroscuro techniques to heighten the emotional resonance of each portrait. By integrating subtle vintage props like two-way radios and classic leather goods, the visuals ground the avant-garde silhouettes in a grounded, yet stylized, professional reality. Casting director Shawn Dezan ensures the models, including Aubrey O'Mahony, carry these complex, textured garments with an effortless, contemplative ease. This editorial showcase successfully balances hard-edged luxury fashion house aesthetics with the tactile warmth of natural light and studio precision, cementing Les Hommes Publics as a definitive voice in contemporary menswear narrative and visual culture.