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Young man in an oversized belted trench coat stepping out of a train carriage doorway in monochrome.
Woman in a black mini dress holding a white handbag leaning against the wall of a narrow train corridor.
Man wearing sunglasses and a dark coat standing inside a narrow corridor for Financial Review Spring Issue
Young man with dark curly hair sleeping on a train seat with a patterned scarf against a window view
A young man in a dark suit and woman in a white dress holding hands inside a dining car with red seating.
Model in a textured pink tweed jacket and matching skirt standing before a vintage metallic train carriage
A female model standing in the doorway of a vintage silver train carriage wearing a patterned dress.
Woman in black dress posing indoors next to a illuminated small lamp and wooden cabinet
Young man in an oversized belted trench coat stepping out of a train carriage doorway in monochrome.
Woman in a black mini dress holding a white handbag leaning against the wall of a narrow train corridor.
Man wearing sunglasses and a dark coat standing inside a narrow corridor for Financial Review Spring Issue

Financial Review Spring Issue 2024

About

The Spring Issue editorial for Financial Review leans into cinematic storytelling, utilizing the confined architecture of a vintage train to frame its seasonal fashion showcase. Captured with a blend of monochrome tones and warm, intimate lighting, the series emphasizes the tactile textures of structured tailoring and period-inspired silhouettes. Photographer Holly Ward frames the collection through a documentary-style lens, utilizing analogue film techniques to heighten the industrial and atmospheric qualities of the setting. Fashion styling by Virginia van Heythuysen highlights the contrast between heavy, oversized outerwear and delicate, detailed pieces. The editorial incorporates a range of palettes, oscillating between cool, desaturated metallic tones and warm, intimate cabin interiors. Hair styling by Richard Kavanagh and make-up by Sarah Tammer complete the looks, drawing on natural, polished aesthetics to complement the project's consistent editorial tone.

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