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A rectangular printed poster with yellow and orange split color background resting on a textured rock surface.
Framed poster with bold typography and dancer graphic leaning against a textured grey wall in soft directional light
Man holding up a white t-shirt featuring red Cincinnati Ballet branding against an arid landscape and blue sky background
Printed performance poster for Cincinnati Ballet Serenade resting on a grey tufted upholstered surface.
Vertical sign reading Cincinnati Ballet mounted on a stone building exterior next to a dark pole
Storefront windows displaying six graphic posters featuring Cincinnati Ballet branding with red, blue, and yellow floral motifs.
An unfolded printed calendar for Cincinnati Ballet showing schedules and photographs in black and white typography.
Tote bag with blue branding tossed in the air against a clear blue sky, framed by outstretched hands below.
Laptop computer displaying a red digital branding screen for Cincinnati Ballet on a metal table.
A rectangular printed poster with yellow and orange split color background resting on a textured rock surface.
Framed poster with bold typography and dancer graphic leaning against a textured grey wall in soft directional light
Man holding up a white t-shirt featuring red Cincinnati Ballet branding against an arid landscape and blue sky background

Cincinnati Ballet Brand Identity 2025

About

This brand identity project for the Cincinnati Ballet establishes a visual system defined by bold typography and vibrant graphic illustrations. The execution leans into high-contrast color blocks, utilizing a palette of red, blue, and yellow to create a recognizable presence for the performing arts organization. The identity is applied across a diverse range of touchpoints, including printed posters, editorial calendar layouts, and branded apparel. The work incorporates vector-based floral motifs and abstract gradients, balanced by clean typographic arrangements that anchor the visual storytelling. Developed by a creative team including graphic designer Christopher A. Ritter and type designers Albra and Ultra Kuhl, the project utilizes various presentation techniques. These include mock-up integration, commercial photography, and editorial design to demonstrate how the brand exists across digital interfaces and physical, architectural spaces.

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