Natasha Poly posing topless holding a dark rose against her chest with crossed arms in a black and white studio portrait.

Close-up monochrome portrait of model Natasha Poly biting her lower lip with dramatic grain and sharp eye focus.

Close-up portrait of model Natasha Poly with eyes closed wearing sheer floral lace against a dark teal background.

Natasha Poly seated on a wooden chair wearing a sheer black top and ruffled dusty rose skirt against a reddish-brown backdrop.

Model Natasha Poly wearing a textured coat seated in a chair for CAP 74024 Second Skin editorial by Matt Easton

Natasha Poly wearing a voluminous fur coat and black boots on a vintage couch for CAP 74024 Second Skin

Black and white portrait of Natasha Poly holding a rose against her chest in high-waisted dark trousers in a studio setting.

Model Natasha Poly seated on a stool wearing a sheer floral lace bodysuit, matching lace tights, and white stiletto heels on a red backdrop.

Model Natasha Poly wearing black heels and a choker seated against a grey studio backdrop for CAP 74024

Natasha Poly wearing an oversized cropped shearling jacket with exaggerated sleeves and a slit skirt against a white brick wall.

Natasha Poly sitting on a red bar stool wearing a brown fur coat against a teal background for CAP 74024 Second Skin project

Model Natasha Poly posing outdoors at night under dramatic lighting for CAP 74024 Second Skin editorial by Matt Easton

Natasha Poly posing against a white brick wall wearing a glossy dark burgundy vinyl belted trench coat.

Natasha Poly seated on a wooden chair on an asphalt street at night wearing a black Givenchy fishnet bodysuit and boots.

CAP 74024 Second Skin 2025

About

Second Skin is a fashion editorial project for CAP 74024 featuring model Natasha Poly. The series explores tactile textures and dramatic silhouettes through a mix of high-contrast studio portraiture and cinematic outdoor photography. Photographer Matt Easton captures the subject across a range of settings, from minimalist studio backdrops to moody urban environments at night. Creative director Antonio Moscogiuri shapes the project's visual direction, supported by fashion styling from Charles Varenne. The production utilizes distinct lighting techniques including chiaroscuro, low-key flash, and hard directional light to emphasize depth. Visual cohesion is maintained through the integration of hair styling by Malcolm Edwards and makeup by Laura Dominique, which balance raw, gritty aesthetics with polished, luminous detail.