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Melanie Martinez covered in dripping black liquid seated on a red tufted armchair against a splattered wall for 1883 Magazine.
Melanie Martinez posing in a ruffled light blue two-piece set and lace-up heels on an industrial street holding decorative props.
Monochrome vanitas still life with raw fish heads, an animal jawbone, leeks, and an ornate candelabra on a table.
Melanie Martinez wearing a sculptural headpiece, translucent wings, and a mermaid gown in a moody textured editorial portrait.
Melanie Martinez posing with eyes closed in a voluminous light blue ruffled gown and white lace headpiece in soft dim lighting.
Melanie Martinez with sculptural headpiece and sheer winged outfit in a textured vintage print for 1883 Magazine.
Melanie Martinez wearing a textured light green coat with hair curlers wired with black tubes to an industrial gas cylinder.
Melanie Martinez screaming while seated in an ornate coat with wires attached to her head and glowing light rings.
Melanie Martinez smeared in dark viscous liquid resting her chin on her hand for 1883 Magazine.
Melanie Martinez smiling widely in a light blue plush coat and pale lace crown for 1883 Magazine.
Melanie Martinez tied to a wooden chair with string, wearing a ruffled cream blouse in a smoky studio setting.
Melanie Martinez covered in dripping black liquid seated on a red tufted armchair against a splattered wall for 1883 Magazine.
Melanie Martinez posing in a ruffled light blue two-piece set and lace-up heels on an industrial street holding decorative props.
Monochrome vanitas still life with raw fish heads, an animal jawbone, leeks, and an ornate candelabra on a table.

1883 Magazine Inside Melanie Martinez’s World 2026

About

Within the pages of 1883 Magazine, photographer Gustavo Chams delivers an arresting visual journey in Inside Melanie Martinez’s World, an editorial project that deftly blends surrealist artifice with high-concept fashion. The series serves as a profound meditation on identity and performance, utilizing an eclectic mix of media techniques—from the raw, visceral grit of 35mm film and medium format stock to the experimental application of cyanotype processes. Fashion editor and stylist Matthew Mazur curates a wardrobe of intricate textures, featuring voluminous ruffles, structured wing-like silhouettes, and ornate headpieces that feel both otherworldly and deeply grounded in a fantasy-inspired aesthetic. The atmosphere, meticulously crafted by set designer Miles Bettinelli, leans into a gothic, cinematic sensibility where organic elements like fish and vegetable stalks collide with mechanical props and viscous, dark pigments. This tension is further elevated by the deliberate work of hair stylist William Scott Blair and makeup artist Laurel Charleston, who transform the artist into a living canvas of ethereal beauty and theatrical artifice. By embracing natural light, low-key chiaroscuro lighting, and heavy film grain, the imagery eschews traditional polish for a tactile, archival quality. Ultimately, this collaboration captures Martinez not merely as a subject, but as a central figure in a hauntingly cinematic narrative that blurs the lines between fine art portraiture and modern lifestyle editorial, leaving a lasting impression of raw, moody experimentation.

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