Charles Fréger

Charles Fréger, a distinguished graduate of the École des Beaux-Arts de Rouen in 2000, has dedicated his artistic practice to exploring the intricate dynamics of social identity and self-representation. Since the inception of his career in 1999, Fréger has developed a captivating body of work centered on ‘photographic portraits and uniforms,’ which reflect both individual and collective identities. His portfolio features a diverse range of series that delve into the nuances of belonging and identity formation. Notable works include the acclaimed *Faire Face*, as well as *Majorettes* (2002) and *Légionnaires* (2002), which examine the visual language of uniformed groups. His exploration continues with *Bleu de Travail* (2003), a study of labor uniforms, and *Rikishi* (2005), focusing on the world of sumo wrestlers. In *Empire* (2009), he presents a striking commentary on royal and republican guards. Through his lens, Fréger captures a rich tapestry of societal symbols—from the realms of education, military service, and sports—each serving as a testament to the desire for identity formation. His compelling images often feature frontal, full-length portraits that emphasize the duality of uniforms as both individual expressions and collective representations. By navigating the interplay between costume and identity, Fréger invites viewers to reflect on the complexity of the social fabric that shapes us all.