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Brand
Ami
ProjectAMI S/S 25 KEYLOOKS by Daniel Archer
Man wearing a grey blazer and blue jeans seated against a textured concrete wall

Ami AMI S/S 25 KEYLOOKS by Daniel Archer 2024

Associated creatives

Alexandre Mattiussi
Alexandre MattiussiDesigner
Daniel Archer
Daniel ArcherPhotographer
Carlos Nazario
Carlos NazarioFashion Editor/Stylist
Jonathan Ferrari
Jonathan FerrariArt Director
Benjamin Muller
Benjamin MullerHair Stylist
Adrien Pinault
Adrien PinaultMakeup Artist
Piergiorgio Del Moro
Piergiorgio Del MoroCasting Director
Valerie Weill
Valerie WeillSet Designer
Achol Ayor
Achol AyorModel
Ajus Samuel
Ajus SamuelModel
Alaato Jazyper
Alaato JazyperModel
Annemary Aderibigbe
Annemary AderibigbeModel
Audrey Marnay
Audrey MarnayModel
Aymeline Valade
Aymeline ValadeModel
Canlan Wang
Canlan WangModel
Cheikh Tall
Cheikh TallModel
Elyas Polat
Elyas PolatModel
FeiFei Sun
FeiFei SunModel
Feranmi Ajetomobi
Feranmi AjetomobiModel
Haizhu Gu
Haizhu GuModel
Jeanne Cadieu
Jeanne CadieuModel
Julia Nobis
Julia NobisModel
Karolin Wolter
Karolin WolterModel
Lebo Malope
Lebo MalopeModel
Leon Dame
Leon DameModel
Matthew Seymour
Matthew SeymourModel
Sang Woo Kim
Sang Woo KimModel
Saul Symon
Saul SymonModel
Selasi Bernard
Selasi BernardModel
Seyi Adumati
Seyi AdumatiModel
Takfarines Bengana
Takfarines BenganaModel
Victoria Fawole
Victoria FawoleModel
Vittoria Ceretti
Vittoria CerettiModel

Tags

man seated on chairman seatedmangrey blazerblazerblue denim jeansblue jeansjeanscream shirtshirt

Description

This portrait from the AMI S/S 25 KEYLOOKS project, photographed by Daniel Archer with styling by Carlos Nazario and art direction by Jonathan Ferrari, captures a seated model against a weathered concrete wall. The subject wears a tailored grey blazer over an unbuttoned cream shirt with rolled sleeves, paired with relaxed-fitting blue denim jeans. Soft natural lighting creates gentle shadows across the scene, highlighting the varied textures of the rough architectural background and the structured garments. The composition is grounded and direct, reflecting a considered editorial approach.