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Black and white editorial layout featuring two models and jewellery items pasted on a page with Crème de la Crème typography
Black and white portrait diptych of a female model wearing drop earrings and a lace bralette against a light background
Collage layout showing fine jewelry items alongside a stag beetle graphic and textured paper sheets
Collage layout featuring a model in a textured coat alongside close-up photographs of fine jewelry pieces
Open publication layout showing two fashion photographs featuring a model with iridescent earrings and a black dress in studio portraits.
Editorial double-page spread showing a model standing before a doorway and seated on the floor in a room with yellow walls
Two black and white fashion photographs clipped to a folder with metal paperclips, featuring models in embroidered jackets and jewelry
Black and white editorial layout featuring two models and jewellery items pasted on a page with Crème de la Crème typography
Black and white portrait diptych of a female model wearing drop earrings and a lace bralette against a light background
Collage layout showing fine jewelry items alongside a stag beetle graphic and textured paper sheets

WSJ Crème de la Crème 2025

About

Crème de la Crème is a fashion editorial series for WSJ that adopts a scrapbooked, tactile approach to luxury storytelling. The project frames intricate apparel and high-end jewelry through a series of collage-like layouts, where photographic prints are presented against folder backgrounds using masking tape and layered paper elements. This presentation creates the impression of a designer’s mood board or an intimate, hand-assembled portfolio. The work, photographed by Pablo Di Prima and styled by Giulia Revolo, features a monochrome and clean aesthetic that draws focus to the sculptural lines of the garments and detailed accessories. With hair by Pawel Solis and makeup by Lisa Michalik, the imagery maintains a polished look across both studio portraiture and environmental shots. Supporting production details include set design by Felix Gesnouin and casting by Julia Lange, with talent provided by model Betsy Gaghan.

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