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Model wearing a black button-down dress with a metallic buckle belt against a textured grey concrete wall background.
Model wearing a black blazer and white skirt posing against a neutral wall for Semicouture 360 project
Model wearing a black turtleneck standing in an alleyway between light-coloured buildings captured by Alberto Polo Iañez.
Model wearing a brown V-neck dress against a neutral grey wall for SEMICOUTURE 360
Model wearing a grey strapless dress and trousers holding a light yellow handbag against a white wall.
Model Naja Kirk posing in a brown knit cardigan with hand covering part of her face against a plain white studio background.
Model wearing a black and white striped top and shorts leaning against a glass storefront in a monochrome fashion portrait
Portrait of a female model wearing a cream turtleneck sweater against a patterned tiled background.
High-angle view of a female model walking across asphalt wearing a white long-sleeve button-down shirt, dark skirt, and flats.
Model wearing a long black dress and tan boots holding a white handbag against white hexagon tile
Close-up portrait of a blonde woman wearing a black turtleneck against a tiled wall background
Model in black textured top and belt standing against a blue tiled wall for SEMICOUTURE 360
Model wearing a black button-down dress with a metallic buckle belt against a textured grey concrete wall background.
Model wearing a black blazer and white skirt posing against a neutral wall for Semicouture 360 project
Model wearing a black turtleneck standing in an alleyway between light-coloured buildings captured by Alberto Polo Iañez.

Various Lookbooks/Catalogs SEMICOUTURE 360 2024

About

SEMICOUTURE 360 presents a series of fashion editorials focused on clean lines and minimalist silhouettes. The project leans into an understated aesthetic, utilizing architectural backgrounds—from weathered concrete to geometric tiling—to frame the seasonal collection. The imagery, captured by photographer Alberto Polo Iañez, features model Naja Kirk throughout. The compositions rely on soft natural light and analogue film techniques to highlight the tactile textures of the knitwear and tailoring. Fashion editor Søren Kolborg Sørensen oversaw the styling, while makeup artist Marie Thomsen maintained a focused, natural look across the various portraits.

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