Various Editorials
Against the Wire for Salut Les Garçons











Apr 2026
Against the Wire for Salut Les Garçons stands as a compelling study in contrasts, where the sharp refinement of formal menswear collides with the unforgiving geometry of brutalist landscapes. Captured through the lens of photographer Charl Marais, this editorial series breathes life into the dialogue between polished sartorial choices and rugged, industrial environments. Model Pascal Bier serves as the anchor for these visual narratives, moving effortlessly between the structured rigidity of charcoal pinstripe tailoring and the raw, unbuttoned vulnerability of denim-heavy lifestyle looks. The project leans heavily into a cinematic aesthetic, utilizing the grit of chain-link fences, silo silhouettes, and weathered concrete to ground the high-fashion sensibilities. Through the deliberate use of 35mm film and analogue techniques, the series achieves a timeless, tactile quality that feels both spontaneous and meticulously staged. The lighting—a blend of soft, directional natural light and stark, high-contrast chiaroscuro—further emphasizes the interplay of textures, from the subtle grain of the film to the crinkled fabrics of contemporary jackets. By framing the human form against such monolithic, architectural backdrops, the work avoids conventional tropes, instead offering a nuanced look at masculinity that feels contemplative, kinetic, and decidedly modern. It is an exploration of space, fabric, and mood that captures the essence of sophisticated storytelling within a harsh, outdoor urban framework.
Editorial, Editorial, Vertical, Vertical
Natural light, Natural light