Black and white frame showing a blurred foreground body framing a distant figure in a white shirt and dark pants at a table.

Low-angle black and white shot of a person in textured baggy trousers and a black top standing in an industrial space with a wire structure.

Black and white photo of two people closely embracing inside an industrial warehouse space with upper windows.

Black and white photo of a bare foot on a wooden bench beside a reclining figure in dark trousers within an industrial warehouse space.

Monochrome overhead shot of a person lying on a concrete floor with arms outstretched, wearing a light wrinkled button-up shirt.

Black and white photo of a shirtless mature man gesturing dynamically in a warehouse studio next to a standing woman in a white dress.

Rear view of a figure in a black vest and long textured skirt holding a stringed instrument in a spacious concrete warehouse.

Close-up black and white photograph of bare feet resting over a dark surface beside fine-check patterned trouser fabric.

Model wearing a patterned cap, light shirt, patterned shorts, black socks, and shoes seated on a mat on concrete.

Two women standing face-to-face touching palms and foreheads in monochrome, wearing a sleeveless maxi dress and a dark vest.

Various Campaigns Unkruid SS26 2026

About

The Unkruid SS26 campaign is a masterclass in minimalist editorial photography, stripping away the superfluous to highlight the visceral connection between human form and industrial architecture. Captured entirely in high-contrast black and white, the series leans into a stark, raw aesthetic that feels both timeless and deeply intentional. Through the lens of photographer Ferry Mohr, the project employs analogue and 35mm film techniques to imbue the imagery with a grain-rich, tactile quality that grounds the conceptual compositions. The visual narrative unfolds within cavernous, minimalist warehouse environments, where natural light serves as the primary sculptor of shadow and depth. By utilizing framing devices like organic, blurred foreground apertures and expansive negative space, the work channels a cinematic quality that elevates simple fashion pieces into objects of fine art portraiture. The campaign oscillates between fluid, expressive motion and profound stillness, exploring themes of isolation and intimacy with equal sensitivity. From the rigid geometry of wire sculptures to the soft, rhythmic textures of checkered fabric, each frame is meticulously balanced, emphasizing the human condition against the cold reality of concrete and exposed structure. It is a cohesive, evocative body of work that prioritizes atmospheric resonance, proving that when the focus is sharpened to the essentials, the resulting imagery carries an enduring, quiet power that lingers long after the final frame.