In The Vale, U Repubblica presents a striking fashion editorial that masterfully balances architectural structure with the raw, untamed essence of a rural landscape. Captured through the lens of photographer Douglas Irvine, the project leans into a cinematic aesthetic, utilizing the warmth of golden hour light and the nostalgic grit of 35mm film to ground the collection’s crisp, monochromatic silhouettes. The campaign moves between expansive, hazy meadows filled with dandelion seeds and moody, low-key interiors, creating a visual rhythm that feels both contemplative and deeply intentional. Model Henry Kitcher anchors the narrative, his composed expressions and tailored outerwear—styled by Tony Irvine—providing a sharp, sophisticated contrast to the surrounding natural elements. Hair stylist Matt Mulhall contributes to the project’s cohesive, clean-lined look, which is further elevated by the deliberate interplay of high-contrast lighting and soft-focus backgrounds. By blending the tactile, rugged texture of stone with the ethereal quality of natural light, the imagery evokes a timeless, almost filmic storytelling style. Ultimately, The Vale stands as a sophisticated exploration of form and environment, leveraging high-key and chiaroscuro techniques to highlight the intersection of high fashion and the pastoral, resulting in an editorial series that feels both contemporary and rooted in a classic, analogue sensibility.
