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Sergio Modrego wearing a long-sleeve burgundy Rapha cycling jersey and reflective visor sunglasses against a dark backdrop.
Sergio Modrego wearing a burgundy Rapha long-sleeve cycling skinsuit and shield sunglasses against a dark background.
Male cyclist in brown Rapha kit wearing orange sunglasses while holding road bike handlebars against a dark studio backdrop.
Model Sergio Modrego standing in a dark navy long-sleeve cycling kit holding a white helmet against a neutral backdrop.
Model Sergio Modrego standing in an olive green cycling jersey and tights holding a white helmet against a neutral studio backdrop.
Model Sergio Modrego seated cross-legged wearing a black topographic print cycling jersey and teal shorts against a grey backdrop.
Model Sergio Modrego wearing a navy Pas Normal Studios cycling kit, leaning on a bicycle against a neutral studio backdrop.
Model Sergio Modrego wearing a dark olive Pas Normal Studios cycling jersey against a neutral studio backdrop.
Sergio Modrego wearing an unzipped brown cycling jersey and bib shorts with sports sunglasses against a dark background.
Model Sergio Modrego wearing a light grey long-sleeve MAAP cycling jersey while posing on bicycle handlebars in studio.
Sergio Modrego wearing a long-sleeve burgundy Rapha cycling jersey and reflective visor sunglasses against a dark backdrop.
Sergio Modrego wearing a burgundy Rapha long-sleeve cycling skinsuit and shield sunglasses against a dark background.
Male cyclist in brown Rapha kit wearing orange sunglasses while holding road bike handlebars against a dark studio backdrop.

Test Shoot Rapha and Pas Normal Studios by Pawe ... 2026

About

In a striking convergence of technical precision and editorial minimalism, photographer Pawel Herman captures the intersection of high-performance sportswear and modern aesthetic sensibilities. This editorial project, featuring model Sergio Modrego, documents the sleek, aerodynamic world of cycling apparel through a series of focused, studio-based portraits. By utilizing studio strobe lighting alongside soft, even natural light, Herman creates a consistent visual language that elevates functional gear into the realm of high fashion. The work leans into a deliberate, understated color palette—dominated by deep olives, navys, and browns—that allows the complex textures of the performance fabrics to take center stage. Each frame channels a sense of quiet intensity, with the subject positioned against seamless, neutral grey backdrops that strip away distraction to emphasize form, fit, and branding. The compositions vary from tightly cropped portraits that highlight the sharpness of a jawline or the specific weave of a jersey, to full-length shots that showcase the silhouette of a cyclist in motion or at rest. By blending these commercial requirements with a distinctively cinematic portrait style, the imagery successfully bridges the gap between utilitarian performance wear and contemporary style. The result is a clean, highly curated body of work that celebrates both the technological advancements of the clothing and the human physicality required to inhabit them.

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