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Close-up of a hand wearing dark cuffs holding a spotted orchid flower against a seamless white background
Close-up of a model wearing a wide black cuff bracelet and resting chin on hand against a white backdrop.
Close-up of a person wearing wide dark metallic cuffs on both wrists against a dark background, photographed by Senta Simond for Repossi.
Close-up product shot of a black ring resting inside a metallic cylindrical container on a white surface.
Close-up monochrome portrait of a woman wearing wide black cuffs and holding her head against a plain background
Close-up portrait of a model wearing a dark sculptural cuff bracelet near the face for Repossi jewellery campaign
Close-up portrait of a model resting her hands against her forehead wearing dark black bracelets.
Close-up portrait of a woman wearing a white turtleneck and black cuffs against a white bedsheet background.
Close-up of a sleek black metal cuff bracelet resting on dark textured leather background.
Close-up of a hand wearing dark cuffs holding a spotted orchid flower against a seamless white background
Close-up of a model wearing a wide black cuff bracelet and resting chin on hand against a white backdrop.
Close-up of a person wearing wide dark metallic cuffs on both wrists against a dark background, photographed by Senta Simond for Repossi.

Repossi Repossi 2025

About

The Repossi campaign presents a minimalist study of jewellery, focusing on sculptural forms and architectural design. Photographer Senta Simond captures the collection through a series of intimate portraits and still-life compositions, utilizing analogue film and clean studio lighting to highlight the metallic finishes and smooth textures of the pieces. Creative direction by Gaia Repossi informs the project, which maintains a consistent aesthetic across editorial portraits and detailed product imagery. The work leans into a high-contrast monochrome palette, using natural light to emphasize the interplay between the jewellery's dark cuffs and rings and the surrounding environments.

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