Numero Netherlands

May 2026

In the latest feature for Numero Netherlands, titled Les Auréoles, the worlds of luxury fashion houses and avant-garde art collide in a series that redefines the limits of the editorial aesthetic. Captured through the lens of photographer Ryan Tandya, the project leans into a cinematic visual language that emphasizes the intricate textures of haute couture, from delicate, airy feathers to heavy, crystalline beadwork. Each frame feels like a deliberate study in geometry and light, utilizing studio strobe setups to craft sharp silhouettes that contrast beautifully against soft-focus, saturated gradient backdrops. Fashion editor and stylist Sergi Padial elevates the presentation through a masterclass in styling, where sculptural bodices and petal-like headpieces are treated as architectural elements rather than mere garments. The use of colored gels creates a multi-dimensional atmosphere, casting deliberate teal and amber shadows that enhance the low-key and chiaroscuro compositions found throughout the spread. By balancing the raw, physical presence of models like Wenli Zhao with highly stylized lighting techniques, the editorial moves beyond traditional fashion photography into the realm of conceptual portraiture. Every element, from the deliberate color grading to the meticulous placement of metallic embellishments, underscores a polished, high-fashion narrative that invites the viewer to linger on the intersection of light, shadow, and luxury fabric. It is a striking exploration of form, texture, and technical precision.

Editorial, Cinematic

Studio strobe, Natural light

Luxury Fashion Houses, Fashion