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Model Debra Shaw posing with one foot on an antique carved chair for Numéro Berlin photographed by Daniel Roché
Model Debra Shaw stands on an ornate patterned rug holding flowers near a window in a black and white fashion portrait.
Model Debra Shaw seated in a chair wearing a patterned dress and sunglasses in an open studio space with geometric shelving units.
Model Debra Shaw wearing sunglasses and a long coat standing in a doorway next to a standing electric fan.
Black-and-white portrait of model Debra Shaw posing behind a patterned carpet for Numero Berlin, photographed by Daniel Roche.
Model lying on a large patterned rug against a plain white wall for Numéro Berlin, photographed by Daniel Roché.
Model Debra Shaw posing outdoors wearing a white two piece set with pink Numéro Berlin lettering layered over the monochrome image
Model Debra Shaw posing outdoors against a metal construction fence and graffiti for Numero Berlin
Debra Shaw seated in a dark wooden chair wearing a loose textured two-piece outfit against a white backdrop and patterned rug.
Model Debra Shaw seated on a chair in a textured dress and sunglasses holding a handbag, photographed by Daniel Roché for Numéro Berlin.
Model Debra Shaw posing with one foot on an antique carved chair for Numéro Berlin photographed by Daniel Roché
Model Debra Shaw stands on an ornate patterned rug holding flowers near a window in a black and white fashion portrait.
Model Debra Shaw seated in a chair wearing a patterned dress and sunglasses in an open studio space with geometric shelving units.

Numéro Berlin Fight 2025

About

Numéro Berlin’s Fight is a fashion editorial series that explores the interplay between structured garments and raw, urban environments. Captured by photographer Daniel Roché, the project features model Debra Shaw, alternating between studio-based minimalist settings and gritty, documentary-style outdoor locations. The series leans into a monochrome aesthetic, utilizing analogue film techniques and natural light to emphasize the textures of both the subject’s clothing and the surrounding architectural elements. From ornate rugs and vintage furniture to construction fencing and overgrown foliage, the composition maintains a clean, observational tone throughout the editorial.

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