Model in black top wearing rings and a watch leaning over dark water for M Le magazine du Monde Or du temps editorial

Model in black top and headscarf wearing a chunky gold necklace and watch for M Le magazine du Monde

Model Penelope Ternes wearing layered pearl necklaces and a black jacket against a white background for M Le magazine du Monde

Close-up portrait of a model with wet hair and a chunky silver chain necklace against a white background

Model in black top wearing dark sunglasses and gold jewelry posing against a dark textured background

Model seen from behind wearing a black evening dress and layered fine jewellery against a grey background.

Model in oversized sunglasses and black top wearing diamond jewellery and a watch against a metallic background

Model lying in a black leather armchair wearing black apparel against a bright white background

Model wearing black sunglasses, a statement rhinestone necklace, and an oversized black blazer against a grey backdrop.

Model wearing black leather jacket, thick gold cuffs, and multiple wristwatches against a grey studio backdrop

Model lying on a white seamless background wearing a black leather jacket and heels for M Le magazine du Monde

Portrait of a female model wearing a black top and multiple gold watches against a neutral grey studio background

M Le magazine du Monde Or du temps 2025

About

For 'Or du temps', a fashion editorial featured in M Le magazine du Monde, photographer Joshua Woods presents a series of studies on form and accessory detail. With creative direction by Jean-Baptiste Talbourdet-Napoleone, the project leans into a polished, editorial aesthetic that prioritizes high-contrast textures and sculptural jewellery. Set against a mix of neutral studio backdrops, the visuals feature model Penelope Ternes styled in minimalist black attire, which serves as a canvas for intricate layers of gold and silver hardware. Laëtitia Gimenez Adam’s fashion styling highlights the tactile quality of leather and metal, while Joseph Pujalte’s hair styling and Aurore Gibrien’s makeup work to maintain a clean, deliberate look. The series incorporates elements of analogue film and low-key chiaroscuro lighting to elevate the focus on material details.