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Model Bao Ziyi wearing a black sleeveless dress and sheer gloves adorned with blue butterflies against a textured backdrop.
Model Bao Ziyi in a strapless black peplum corset top, wide-leg trousers, and long black gloves against a mottled beige studio backdrop.
Model Bao Ziyi holding white dahlias wearing a veiled black hat and embroidered gloves on a Harper's Bazaar Vietnam cover.
Model Bao Ziyi wearing long black satin gloves and a strapless black top, looking over her shoulder against a neutral textured studio backdrop.
Model Bao Ziyi wearing sheer black gloves with blue butterfly appliqués and a mesh eye veil for Harper's Bazaar Vietnam.
Model Bao Ziyi wearing a voluminous black strapless gown and veiled wide-brim hat against a textured backdrop for Harper's Bazaar.
Model Bao Ziyi wearing a black sleeveless dress and sheer gloves adorned with blue butterflies against a textured backdrop.
Model Bao Ziyi in a strapless black peplum corset top, wide-leg trousers, and long black gloves against a mottled beige studio backdrop.
Model Bao Ziyi holding white dahlias wearing a veiled black hat and embroidered gloves on a Harper's Bazaar Vietnam cover.

Harper's Bazaar Vietnam Beautifully Unscripted 2026

About

In the latest editorial spread for Harper's Bazaar Vietnam, titled Beautifully Unscripted, the intersection of luxury fashion and avant-garde portraiture is masterfully explored. Photographer Tom Marvel captures a striking narrative that leans into the precision of high-end design, utilizing crisp studio strobe lighting to emphasize the structural integrity of the garments. The project features model Bao Ziyi, whose piercing direct gaze and signature blunt-cut bob provide a consistent, grounding aesthetic throughout the series. Stylist Brendan Cannon elevates the visuals by juxtaposing dark, vintage-inspired opera gloves and structured gowns with whimsical, avant-garde elements like bright blue butterfly appliqués and delicate facial netting. This high-fashion editorial avoids the clutter of elaborate sets, opting instead for a textured, neutral-toned backdrop that allows the intricate silhouettes to take center stage. Through a combination of editorial minimalism and deliberate, cinematic posing, the work pushes beyond traditional magazine portraiture to create a conceptual dialogue between the viewer and the subject. With contributions from makeup artist Angela Davis-Deacon and set designer Stockton Hall, the production achieves a cohesive, polished finish that feels both contemporary and timeless. By emphasizing clean lines and sophisticated geometry, the team delivers a vision that feels less like a simple fashion showcase and more like a curated study in modern elegance, perfectly suited for the elevated pages of Harper’s Bazaar.

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