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Model wearing black corset and blue feathered cape standing before plastic sheeting for Harper's Bazaar Italia
Model in nude corset dress with hair curlers leaning against a glossy brown sphere in front of crumpled crimson plastic sheeting.
Split view featuring a model reclining on straw mats and standing in black lingerie against a neutral studio backdrop
Model Penelope Ternes posing in Harper's Bazaar Italia editorial Lost Innocence with set design by Sophear Van Froment
Model wearing a black sparkly mini dress and ruffled collar lying on a beige sofa for Harper's Bazaar Italia
Model wearing sculptural black bodysuit with pleated mesh headpiece and trench coat, photographed for Harper's Bazaar Italia.
Model Penelope Ternes in a dark coat and black jumpsuit standing against a crinkled pink plastic backdrop for Harper's Bazaar Italia.
Model Penelope Ternes lounging in lingerie and a faux fur coat for Harper's Bazaar Italia
Model wearing black corset and blue feathered cape standing before plastic sheeting for Harper's Bazaar Italia
Model in nude corset dress with hair curlers leaning against a glossy brown sphere in front of crumpled crimson plastic sheeting.
Split view featuring a model reclining on straw mats and standing in black lingerie against a neutral studio backdrop

Harper's Bazaar Italia Lost Innocence 2025

About

Lost Innocence is a fashion editorial for Harper’s Bazaar Italia, captured primarily by photographer Guen Fiore. The project leans into a conceptual studio aesthetic, utilising textures like draped translucent plastic and straw matting to build an intimate, raw interior environment. Editorial layouts feature model Penelope Ternes styled in a mix of structured tailoring, intricate lace, and voluminous silhouettes. The visual narrative is supported by fashion direction from Sissy Vian, with hair styling by Pierpaolo Lai and makeup by Porsche Poon. Executed across several studio-shot spreads, the series utilises natural light and analogue film techniques to emphasize the interplay between form-fitting garments and layered fabric elements. The production includes contributions from set designer Sophear Van Froment, casting director Anita Bitton, manicurist Anais Cordevant, and producer Anna Rybus.

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