Woman holding a young child standing in an industrial workshop interior with metal drawers and equipment.

Editorial shot of a pregnant woman wearing an unbuttoned beige collared shirt and a fuzzy black knit skirt with light green ties.

Editorial magazine spread featuring a solid pink page alongside a white page with an inset photograph of darkroom print paper on shelves.

Editorial magazine spread titled I Measure Time in Naps Now with a still life photo of a clock and thermos beside essay text.

Editorial magazine spread featuring a black SLR camera alongside model Yana Bovenistier and a toddler near a wrapped mattress.

Editorial magazine spread with a pink page of typography beside photographs of an office desk and cosmetic jars on a white page.

Editorial diptych spread featuring a film development workstation on the left and a collage of model portrait test prints on the right.

Editorial spread showing a bare pregnant belly in striped apparel beside a full pink page with a list of poetry words.

Woman holding an infant child in an interior setting, featured in an editorial layout for Endless Magazine.

Woman with short dark hair holding a toddler wearing a pink striped sweater and yellow socks indoors

Editorial spread with model Yana Bovenistier in a draped grey knit top next to a close-up of keys with a green plush charm.

Editorial magazine spread featuring a beaded mesh garment over pleated fabric paired with a sunlit studio workshop interior.

endless magazine i measure time in naps now 2025

About

Endless Magazine presents "i measure time in naps now," an editorial feature that documents the intersection of motherhood, domestic intimacy, and the tactile nature of analogue photography. Photographed by Olivia Frølich, the project juxtaposes candid portraits of model Yana Bovenistier with still-life imagery of film development workspaces and studio environments. Technically refined, the series leans into a minimalist aesthetic, utilizing negative space and graphic typography to structure a narrative on the passage of time. The styling by Columbine Smille favors textured layers and earthy tones, while Henrik Haue contributes hair styling that reinforces the naturalistic tone of the shoot. Casting by Marina Fairfax brings an authentic quality to the editorial, which makes extensive use of soft light and grainy, film-based textures to anchor its intimate, documentary-focused approach.