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Monochrome portrait of Karim Leklou resting arms on the back of a white wooden chair for Crash Magazine
Two models posed against a rocky stone wall embedded with open books wearing neutral textured autumn fashion for Crash Magazine.
Model seated on a white leather chair wearing a white jacket, patterned tights, and holding a large beige handbag.
Andie MacDowell holding a telephone handset and briefcase standing against a rustic panel background for Crash Magazine.
Group of people on a New York city street with a model wearing a textured yellow ruffled dress and holding a grey handbag.
Model holding a theatrical mask in a black velvet dress against a textured backdrop for Crash Magazine.
Actor Frank Dillane holding a wooden sign that reads time is a waste of money in front of a dark slatted wooden wall.
Black and white editorial street photo of a woman in a shimmering dress and a man with a phone walking on a city sidewalk
Blonde woman wearing a red slip dress standing by a window with curtains and foliage for Crash Magazine
Monochrome portrait of Karim Leklou resting arms on the back of a white wooden chair for Crash Magazine
Two models posed against a rocky stone wall embedded with open books wearing neutral textured autumn fashion for Crash Magazine.
Model seated on a white leather chair wearing a white jacket, patterned tights, and holding a large beige handbag.

Crash Magazine Crash Magazine 109 2026 Covers 2026

About

Crash Magazine’s 109th issue for 2026 presents a series of editorial covers that explore diverse photographic aesthetics, ranging from high-contrast chiaroscuro studio portraits to raw, flash-lit street photography. Under the editorial guidance of Armelle Leturcq, the project leans into both analogue film textures and clean, natural-light compositions to anchor its visual narrative. The covers feature a wide-ranging cast of talent, including actors Andie MacDowell and Frank Leklou, captured through the lenses of photographers such as Carmine Romano, Bruce Gilden, and Matthias Vriens-McGrath. Across the collection, the imagery balances intimate, grainy portraiture with surrealist, prop-heavy tableaux, utilizing techniques like monochrome development and candid street documentation to frame the magazine’s contemporary identity.

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