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Model Lina Zhang wearing an orange textured dress posing among tree branches for Holiday Magazine.
Model Lina Zhang in dark blouse and black trousers standing in a red room with a branch prop for Holiday Magazine
Close-up portrait of model Lina Zhang wearing an off-white textured top against a natural outdoor forest background.
Model Lina Zhang in a heavy white shaggy coat on a metallic platform for Holiday Magazine editorial
Model Lina Zhang wearing a striped red and blue top and black leather trousers against a white seamless backdrop.
Model Lina Zhang wearing a brown leather jacket with a statement necklace for Holiday Magazine
Model Lina Zhang posed in a large tree wearing a grey coat with red and white fringing for Holiday Magazine
Model Lina Zhang in a satin top and skirt leaning against a draped white sheet in Holiday Magazine editorial
Model Lina Zhang seated in a blue armchair wearing a metallic top and textured skirt for Holiday Magazine
Model with dark hair wearing a glossy brown coat lying on a metal counter near a large wooden door and red fire extinguisher.
Model Lina Zhang posing dynamically in a white sweatshirt and black trousers against a draped white fabric background.
Model Lina Zhang wearing an orange textured dress posing among tree branches for Holiday Magazine.
Model Lina Zhang in dark blouse and black trousers standing in a red room with a branch prop for Holiday Magazine
Close-up portrait of model Lina Zhang wearing an off-white textured top against a natural outdoor forest background.

Holiday Magazine Waiting in Reverse 2026

About

Waiting in Reverse is a fashion editorial series produced for Holiday Magazine. Shot by photographer Alessandro Furchino Capria, the project features model Lina Zhang in a sequence of contemplative, minimalist portraits that transition between architectural interiors and dense woodland settings. Fashion editor and stylist Eliza Conlon curates a tactile wardrobe, emphasizing textured garments such as shaggy coats, leather trousers, and metallic tops. The imagery leans into a clean, restrained aesthetic, consistently employing natural light to highlight the organic interplay between the model, layered textiles, and the surrounding environment.

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