Surreal fashion editorial featuring a model with red face paint, golden headdress, and floating decorative butterfly and eye cutouts.

Surreal fashion editorial featuring a model whose face is covered by a blue handbag with sculpted facial features

Close-up of woman with surreal third eye ornament on forehead and red manicured hands covering eyes against blue background

Surreal fashion collage spread featuring a person with red painted skin, gold jewelry, monarch butterflies, and floating eyes against a white background.

Surreal fashion magazine layout featuring collage elements, gold jewellery, and torn paper effects against a bright blue background.

Surreal fashion editorial featuring a model wearing a giant golden ear headpiece holding a red anthurium flower

Surreal fashion editorial featuring a model with red face makeup, gold nose piece, and metallic jewelry against a white background.

Black woman from behind holding a red handbag with gold eye motifs against a bright blue background with floating eye brooches.

Various Editorials Pose / Dada 2026

About

Pose and Dada emerge as a masterclass in avant-garde visual storytelling, pushing the boundaries of luxury fashion editorial through a lens of raw, experimental surrealism. Under the precise creative direction of Daniel Roseberry, the project collapses the distance between fine art and commercial imagery, utilizing a sophisticated collage technique that feels both tactile and futuristic. Photographer Alina Gross captures these high-fashion portraits with a razor-sharp eye, leaning into studio strobe lighting to emphasize the interplay between high-contrast, saturated color palettes—predominantly vivid reds, electric blues, and metallic golds—and the ornate, sculptural jewelry that defines the subjects. By integrating 3D render and CGI elements alongside traditional photography, the series creates a layered, dreamlike atmosphere where human features are obscured or replaced by whimsical, dadaist motifs like floating eye icons, anthurium flowers, and gilded prosthetics. The styling by Vadim Galaganov ensures that every garment serves as a canvas for this abstract exploration, allowing the models to inhabit a space that is as much about conceptual design as it is about fashion. With production led by Elena Serova, the execution feels meticulously curated, resulting in a cohesive portfolio that successfully challenges the static nature of standard editorial work by embracing a maximalist and inherently provocative aesthetic that demands the viewer linger on every intricate, torn-paper detail.