Model Noah Hanes posing shirtless in an open black leather biker jacket and dark denim against a white studio background.

Model Noah Hanes wearing an olive green jacket, matching trousers, and brown leather sandals seated against a studio backdrop.

Blonde male model wearing a beige double-breasted suit and black boots posing indoors near a brown wooden door.

Model Noah Hanes seated on an olive green velvet couch wearing a grey zip-up utility suit and black shoes in front of a brown wall.

Model with blonde curly hair leaning against a brown wood paneled wall wearing a dark patterned blouse and black trousers

Model Noah Hanes posing in a bomber jacket, collared shirt with tie, pleated trousers, and dress shoes against a studio background.

Close-up portrait of a young man with curly blond hair wearing a sage green button-down shirt against a dark brown wall.

Young male model in a grey suit and striped tie posing against a plain grey background with a sharp shadow cast.

Portrait of a male model wearing a striped shirt, tie, and jacket against a plain grey backdrop for Esquire Thailand.

Noah Hanes wearing an open oversized white coat, wide-leg trousers, and a knit hood against a white studio background.

Model Noah Hanes reclining on a dark leather couch wearing an open jacket and white tank top for Esquire Thailand.

Various Editorials Esquire Thailand 2025

About

This menswear editorial for Esquire Thailand explores contemporary tailoring through a blend of studio portraiture and environmental fashion photography. Shot by photographer Pierre Crosby, the feature captures model Noah Hanes across a series of monochromatic and warm-toned vignettes that highlight sharp silhouettes and classic layering. The aesthetic relies on clean, soft light to emphasize textile textures—from tufted velvet and wood-paneled interiors to structured leather and suede. Featuring styling by Suthee Ritthaworn, the work leans into a minimalist sensibility with grooming by hair stylist Kenta Koda and makeup artist William Murphy. Casting for the editorial was managed by Bronson Vajda.