Black and white fashion editorial diptych featuring a male model in an oversized white suit alongside a close-up portrait.

A man in a dark tailored blazer and tan trousers seated against a dark background in dramatic low-key lighting.

Diptych of a man in a tailored brown suit seated on a chair and standing in a cream lace shirt against a dark background.

Black and white photograph of multiple hands emerging from white lace and cotton shirt cuffs against a black background.

Gesturing hands in white lace and tailored shirt cuffs reaching toward each other against a solid black background.

Magazine spread titled Conflict with editorial typography on the left and a double-exposure portrait of a man in a white suit on the right.

Magazine editorial spread showing a person in a dark suit posing dynamically against a white wall alongside a peach credit page.

Black and white editorial diptych featuring layered male portraits and a man in a tailored long coat leaning against a wall.

Black and white editorial diptych featuring a man in a dark suit standing on a white pedestal, paired with a multi-exposure portrait

Various Editorials ANDRON JOURNAL - CONFLICT 2026

About

The ANDRON JOURNAL - CONFLICT project serves as a masterclass in fashion editorial storytelling, masterfully balancing the precision of high-end tailoring with a deeply psychological, ethereal aesthetic. Captured through the lens of photographer Josh Hight under the vision of creative director and fashion editor Kaner Kivanc, the series leans into the tension between structure and abstraction. By utilizing experimental techniques such as analogue film, double exposure, and multiple exposure, the team elevates the traditional portrait into something surreal and kinetic. The imagery moves fluidly between high-contrast chiaroscuro lighting, which emphasizes the sculptural architectural lines of luxury garments from houses like Dries Van Noten and Willy Chavarria, and minimalist, natural light compositions that highlight texture and form. Model Kirill Sokolovski anchors these varied perspectives, transitioning seamlessly from rigid, formal poses to dynamic, motion-blur captured moments. The editorial layout itself—a sophisticated blend of stark, monochromatic diptychs and vibrant, peach-toned graphic accents—creates a rhythmic reading experience. By stripping away environmental context to prioritize expressive gestures and the interplay of lace against sharp, tailored blazers, the project avoids the tropes of standard lookbooks, opting instead to present menswear through an artistic, conceptual lens. This work is a testament to the power of controlled lighting and intentional art direction in elevating fashion photography into high-art visual discourse.