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Editorial double-page spread with a man in a dark suit crawling on stone pavement next to a small metallic orb.
Diptych of male model Stanislav Pliasulia wearing an oversized beige trench coat and black tailoring in urban architecture settings.
Editorial layout showing a man in a white dress shirt with a metallic sphere embedded in his cheek, alongside an outdoor action shot.
Editorial double-page spread featuring bold black text saying ANXIETY! on a blue panel next to three men walking outdoors near modern glass architecture.
Two men wearing formal business shirts and suits against modern city skyscrapers in bright, hard sunlight.
Two men in tailored suits and ties with intense, grimacing expressions standing outside by architectural pillars.
Two men outdoors with an older man gripping the shoulder of a younger man in a dark coat and tie
Model Stanislav Pliasulia wearing a suit and tie with a metal sphere in his mouth, framed by towering city skyscrapers.
Diptych of two men in tailored business suits against glass office towers in an urban menswear editorial.
Editorial double-page spread with a man in a dark suit crawling on stone pavement next to a small metallic orb.
Diptych of male model Stanislav Pliasulia wearing an oversized beige trench coat and black tailoring in urban architecture settings.
Editorial layout showing a man in a white dress shirt with a metallic sphere embedded in his cheek, alongside an outdoor action shot.

Various Editorials ANDRON JOURNAL - ANXIETY 2026

About

In Andron Journal - Anxiety, the intersection of corporate identity and psychological unease is distilled into a striking visual narrative. Through a series of highly composed editorial images, the project navigates the tension inherent in modern professional life, utilizing the rigid geometry of urban architecture to frame a recurring sense of displacement. Under the creative direction of Kaner Kivanc, who also serves as the project's fashion editor and stylist, the work leans into a distinct cinematic aesthetic that elevates office attire into a language of symbolic vulnerability. Photographer CG Watkins captures these themes through a lens of surreal minimalism, often employing natural light to highlight the juxtaposition between sharp, towering glass skyscrapers and the strained, expressive faces of model Stanislav Pliasulia. The imagery frequently utilizes a high-contrast, low-key lighting technique, juxtaposing the cold, monolithic surfaces of the city with the intimate, sometimes disorienting presence of metallic orbs and paper airplanes. By blending lifestyle photography with conceptual portraiture, the project creates a sense of professional friction that feels both timeless and urgent. The result is a sophisticated exploration of how the built environment mirrors internal pressure, rendered with a crisp, editorial precision that makes every frame feel like a deliberate, suspenseful observation on the nature of modern anxiety.

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