Editorial spread with model Annemary Aderibigbe posing in leather garments beside a large angled black panel.

Model reclining horizontally on a metallic table wearing black shiny patent lambskin trousers and jacket

Black and white photo of model Annemary Aderibigbe reclining on a metal mesh bench in a shearling coat and ribbed leggings.

Model Annemary Aderibigbe lies back in a purple sleeveless top and red skirt against a geometric black and white studio set.

Model Annemary Aderibigbe lying on a long table in dark apparel and white heeled boots in a black and white editorial shoot.

Model Annemary Aderibigbe lying down on a concrete bench wearing a dark brown shearling coat and pale green pointed mules.

Model Annemary Aderibigbe wearing a crinkled black leather trench coat reclining on white draped fabric over a wood floor.

Model Annemary Aderibigbe reclining in a sheer pink lace bodysuit, ribbed knit shorts, and lace stockings on a sling lounger.

Model Annemary Aderibigbe lies back across a wooden bench outdoors wearing a leather jacket and heels in black and white.

Model Annemary Aderibigbe reclining across an antique cream sofa wearing a patterned charcoal tracksuit and green sneakers.

Model lying horizontally on a dark surface wearing a sheer brown long-sleeved dress and black tights against a pale interior background.

Model Annemary Aderibigbe wearing an oversized black parka jacket and tall black boots posing dynamically on a draped white bench.

The Gentlewoman Surfacing 2025

About

Surfacing is a fashion editorial series for The Gentlewoman, captured by photographer Marius Uhlig. The project explores themes of structure and form, featuring model Annemary Aderibigbe in a series of contemplative, horizontal compositions that traverse both stark studio environments and natural outdoor settings. The imagery utilizes a blend of high-contrast monochrome and clean, soft-light aesthetics to highlight the tactile qualities of the wardrobe. With production led by Sylvia Farago and set design by Haleimah Darwish, the editorial leans into minimalist graphic sensibilities and refined typography, emphasizing textural contrast and architectural geometry throughout the layouts.