Open magazine spread showing two fashion photographs with models in textured clothing and dark settings.

Open magazine spread showing two fashion photographs with a model in dark attire against a neutral background.

Open magazine spread showing two fashion photographs with models wearing colorful winter garments against light backgrounds

An open magazine spread featuring a fashion editorial with a model wearing a fur vest and hat against a plain white background.

An open magazine spread featuring two fashion editorial photographs of models wearing textured garments against white backgrounds.

An open magazine spread featuring fashion photography with a model wearing a heavy dark textured coat and another lying outdoors.

Open magazine double-page spread showing fashion editorial imagery with a model outdoors among foliage and a close-up portrait

An open magazine spread showing a model in a pink fluffy hood on the left and full-length editorial fashion imagery on the right.

The Face Magazine We all go down together 2025

About

In the pages of The Face Magazine, the editorial spread titled We all go down together serves as a masterclass in tactile storytelling, blending the raw, moody intensity of fashion photography with the deliberate precision of high-end editorial design. Photographed by Thue Nørgaard, the project acts as a visual dialogue between light and shadow, oscillating between the stark, high-key studio environment and the dense, atmospheric embrace of natural forest settings. The narrative is defined by a bold exploration of volume and texture, where luxury fashion pieces—ranging from voluminous faux-fur garments to distressed, layered silhouettes—are captured with 35mm film and cinematic precision. The styling, curated by Fashion Editor Raphael Hirsch, leans into experimental color blocking and structural contrasts, further elevated by Ramona Eschbach’s sculptural hair styling and Ammy Drammeh’s evocative makeup work. Featuring Model Jessica Miller, the portraits emphasize a range of expressions from neutral composure to dynamic movement, all held together by a clean, minimalist layout that honors the interplay between the subjects and the negative space. By utilizing both natural light and studio strobe techniques, Nørgaard creates a striking juxtaposition that feels both contemporary and timeless. This editorial successfully interrogates the relationship between the garment as an object and the human form, grounding the luxury aesthetic in a grounded, organic reality that resonates through its layered, heavy-textured imagery.