Extreme close-up of a person's forehead and hairline resting against a smooth translucent balloon surface.

Woman in a black top and white skirt sitting on a staircase with a red runner for The Face Magazine

Close-up portrait of a woman with white powder makeup on her forehead wearing a black zip-up collared jacket

Close-up portrait of a woman wearing a chunky metallic coiled ribbed choker necklace with a translucent foreground overlay.

Close-up of a woman with slicked hair and pale makeup wearing a black ribbed sweater, tilting her head back against a blurred background.

Model seen from behind in an oversized blue denim coat crouching on a city sidewalk against a storefront window.

Model looking downward in a structured black crop top with exaggerated shoulders, gold buttons, and a decorative gold buckle belt.

Model wearing a black backless top, white pleated skirt, and a coiled metallic silver choker collar.

Model crouching in a textured tan belted trench coat against a plain white studio backdrop with direct lighting.

Close-up of crimped blonde hair draped across a subject's shoulder with fingers holding a metallic spring coil.

Large galvanized steel dumpsters turned upside down with caster wheels facing upright against vertical metal railings.

Close-up of brown anatomical leather slip-on shoes with sculpted toe details and gold rings worn over black ribbed socks on pavement.

Back view of a model in a tailored cream suit jacket featuring a draped gold chain across the waistline and crimped blonde hair.

Model seen from behind wearing an off-white structured blazer with a gold chain back detail and matching tailored trousers.

A textured black glove lying on wet pavement with a small rolled cigarette resting on top of it.

The Face Magazine I know nothing's wrong 2025

About

For The Face Magazine, photographer Cristina Stolhe explores a juxtaposition of polished high fashion and raw, urban textures in the editorial project I know nothing’s wrong. The series employs sharp, high-contrast flash lighting and lo-fi, grainy aesthetics to bridge the gap between structured studio portraiture and gritty street-level observation. Styling by Danny Reed focuses on sculptural silhouettes, featuring prominent metallic chokers and tailored ivory tailoring, while hair stylist Yuji Okuda introduces tactile, micro-crimped detailing. The visual narrative is punctuated by still-life compositions that lean into minimalist and surrealist motifs, grounding the collection in a moody, tactile atmosphere.