Audrey Hobert in a fashion editorial wearing a star leather jacket and a metallic gold star costume against a grey studio backdrop.

Diptych portrait of Audrey Hobert wearing a dark belted trench coat on the left and swimming goggles on the right.

Split editorial image of Audrey Hobert wearing novelty glasses on head and a yellow trench coat holding a mannequin leg for The Face.

Editorial fashion layout featuring Audrey Hobert in a blue satin dress with goggles, and in a black coat holding a printed shopping bag.

Diptych of Audrey Hobert posing beside a plaid armchair and holding apple branches for The Face Magazine.

The Face Magazine AUDREY HOBERT 2026

About

The latest editorial feature for The Face Magazine, titled Audrey Hobert, serves as a masterclass in modern fashion photography, masterfully blurring the lines between high-concept art and commercial appeal. Photographer Sharna Osborne captures Hobert in a series of kaleidoscopic transformations that challenge the traditional boundaries of luxury fashion and portraiture. With creative styling by Danny Reed, the project leans into a surrealist aesthetic, where unexpected accessories like swim goggles, fake mustaches, and mannequin limbs take center stage. The visual narrative relies on a sophisticated mix of technical approaches, alternating between the clinical precision of studio strobe lighting and the softer, more organic feel of natural light. This juxtaposition highlights the versatility of Hobert as a subject, grounded by the meticulous grooming of hair stylist Tom Wright and makeup artist Daniel Sallstrom, who punctuates the eccentric garments with bold, sharp accents like vibrant red lipstick. Polly Philp’s set design acts as the final anchor, using neutral studio backdrops to ensure that the layered textures of satin, heavy wool, and metallic materials pop with clarity. By utilizing live-action technique and dynamic split-screen compositions, the editorial avoids static tropes, instead offering a playful, eclectic vision of contemporary style that feels both avant-garde and deeply intentional. The result is an evocative collection that feels perfectly at home within the pages of a leading publication.