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Person wearing a denim jacket on fire lying facedown on a blue mat while being sprayed with water
Smiling woman in red leggings and light blue shirt lying upside down on an inflated black stunt bag
Two men grappling on a dark padded mat surrounded by seated observers during a stunt training session.
Stunt school participant practicing fire stunts with flames on arm and head, alongside training scenes
Close-up of hands holding a doll dressed in a white jumpsuit upside down against a blurred architectural background.
Person engulfed in flames standing on a blue mat surrounded by onlookers and crew members in an outdoor yard.
Group of students sitting on gym mats watching a video screen in a bright hall with exposed brick walls
A stunt performer leaping through the air above a landing airbag near a large orange scissor lift in an industrial courtyard.
Woman in white t-shirt and blue tracksuit trousers standing in a gymnasium holding a prop gun.
Silver sedan drifting on an asphalt training track with white line markings and orange cones
Person wearing a denim jacket on fire lying facedown on a blue mat while being sprayed with water
Smiling woman in red leggings and light blue shirt lying upside down on an inflated black stunt bag
Two men grappling on a dark padded mat surrounded by seated observers during a stunt training session.

The New York Times Magazine Stunt School 2026

About

For The New York Times Magazine, photographer Chris Maggio presents 'Stunt School,' a documentary-style editorial feature exploring the rigorous physical training of stunt professionals. The series provides an intimate look at the behind-the-scenes mechanics of cinema action, moving between controlled fire demonstrations, high-angle leaps, and technical movement workshops. The project utilizes a candid, observational approach to capture the blend of safety protocols and high-intensity performance. Through a mix of horizontal and vertical compositions, the work highlights the intersection of raw human exertion and professional instruction within both gymnasium settings and outdoor training facilities. The execution favors natural light, often employing high-speed/freeze techniques to articulate the precision required in stunt work.

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