Fashion editorial spread with two models posed in black and white next to an inset photo of flowering plants in a planter.

Model in a beige tailored blazer and patchwork leather trousers beside an inset landscape photo on an editorial magazine page.

Male model in an all-white belted jacket, trousers, and white shoes posing outdoors next to green foliage for a magazine spread.

Diptych featuring a model in an oversized white shirt and trousers on the left beside a vibrant coral-red rose in bloom on the right.

Fashion model wearing black sunglasses, a tailored black blazer, and black leather trousers on a magazine editorial spread.

Model wearing a straw bucket hat, white button-up shirt, and light blue jeans seated on a wooden stool in a fashion editorial layout.

Diptych of a model in black sunglasses and red beaded necklace alongside a full-length shot in a long black dress.

Model wearing a straw bucket hat, white collared shirt, and light blue denim jeans seated on a wooden stool against a white background.

Diptych of a woman in sunglasses with a printed silk scarf seated in a deck chair and a man in a cream double-breasted trench coat.

Diptych of a woman in a brown suede tunic with fringed pants and a person in a black cropped sweater with light blue denim jeans.

My Magazine DISTANT ECHOES 2026

About

Distant Echoes is an expansive fashion editorial for My Magazine that blends studio portraiture with landscape photography. Captured by photographer Paw Gissel, the series leans into a minimalist aesthetic, frequently utilizing diptych and collage layouts to juxtapose high-fashion silhouettes against organic, textural elements like arid landscapes and botanical close-ups. Fashion styling by Isaac Perez Solano defines the project’s visual language, incorporating 1970s-inspired silhouettes, textured leather, and tailored monochrome ensembles. The editorial features models Ambre Roumeau and Nour Oitahar Normand, with creative support from hair stylist Stephen Beaver and designer Michael Rider, who structured the series through clean typography and white-bordered layouts. The imagery makes use of soft light and occasional analogue film grain to ground the editorial in a tactile, atmospheric tone.