Miley Cyrus holding white lace-up boots wearing a black leather jacket and skirt against a white background

Miley Cyrus from behind, unzipping a black dress against a white background

Miley Cyrus wearing a black leather gown against a white background for Wonderland Magazine by Mario Sorrenti

Miley Cyrus in a black bodysuit and fur coat stepping out of trousers against a white backdrop for Wonderland Magazine.

Miley Cyrus posing with arm raised in a ruffled white top against a seamless white background for Wonderland Magazine.

Miley Cyrus wearing a fluffy white coat and dark tights against a seamless white background

Miley Cyrus wearing a black leather jacket and matching skirt with stilettos against a plain white background

Miley Cyrus in a black leather jacket showing tattoos against a white backdrop for Wonderland Magazine by Mario Sorrenti

Miley Cyrus in a black bodysuit pulling down zipped trousers against a plain white background

Miley Cyrus in a white jacket and dark trousers against a plain white background for Wonderland Magazine.

Miley Cyrus in black leather chaps and jacket lifting a jacket overhead in studio portrait by Mario Sorrenti for Wonderland Magazine.

Miley Cyrus wearing an oversized black leather jacket against a plain white background for Wonderland Magazine.

Wonderland Magazine Miley by Mario 2026

About

Miley by Mario is a high-fashion editorial series commissioned for Wonderland Magazine. Captured by photographer Mario Sorrenti, the project features entertainer Miley Cyrus in a collection of monochrome portraits that emphasize raw, tactile textures and structural silhouettes. The series leans into a high-contrast aesthetic, utilizing clean studio lighting against seamless white backgrounds to highlight the interplay between leather, lace, and voluminous textiles. With fashion direction by Alastair McKimm, the visuals employ a minimalist approach to capture both intimate and dynamic poses. The production was supported by hair styling from Recine, makeup by Diane Kendal, and set design by Philipp Haemmerle, with executive production by Dana Brockman. The editorial utilises analogue film techniques to achieve its distinct, polished look.