Model with out-of-focus face, green eyeshadow and red lipstick outdoors with a white building and blue car

Model standing on a city street wearing a khaki suit and yellow shirt with red lipstick for Middle Plane Magazine.

Model standing on a city street wearing a green tailored jacket, blue hoodie, dark shorts, and black boots.

Model wearing tan suit jacket and trousers standing outdoors on a street in front of a white building and blue car.

Close-up portrait of a model with vibrant eyeshadow and red lipstick outdoors against a residential building.

Model wearing a green coat and blue hooded sweatshirt against an urban housing estate background.

Close-up portrait of model George Anderson outdoors with pink eye makeup against dense green trees and a pale sky.

Model wearing a bright orange hooded sweatshirt and plaid blazer outdoors on a city street.

Model in a camel jacket and yellow shirt with blue eyeshadow and red lipstick outdoors against a white building.

Model wearing a grey coat standing on a path in a park with residential buildings in the background

Model standing on a wet urban street wearing a plaid suit jacket and matching trousers with an orange hooded sweatshirt

Model standing on a city street wearing a tan blazer, yellow shirt, and grey trousers with a large white truck in background

Model wearing a green hoodie and black suit jacket standing in an urban park with apartment buildings behind.

Close-up portrait of a model wearing a green hoodie and bold pink and orange eye makeup against an outdoor building background

Middle Plane Magazine George in Clerkenwell, 13.02.2026 2026

About

In the latest editorial spread for Middle Plane Magazine, titled George in Clerkenwell, 13.02.2026, the intersection of high-fashion tailoring and urban grit is brought to life through a compelling visual narrative. Captured by photographer Alessandro Furchino Capria, the campaign centers on model George Anderson, who navigates the brutalist aesthetics and quiet streets of Clerkenwell under the diffuse, cool glow of an overcast London day. The series leans into a distinct editorial minimalism, using natural light to emphasize the tension between structured, oversized blazers and the saturated, expressive makeup curated by artist Thomas De Kluyver. With fashion styling by Jodie Barnes, the project creates a dialogue between muted, professional textiles—like camel wool and grey glen check—and the disruptive energy of neon eyeshadow and vibrant red lips. Casting director Rachel Chandler expertly anchors the project, ensuring that the subject remains the focal point against the blurred, textured backdrops of residential tower blocks and urban greenery. By blending formal silhouettes with casual streetwear elements, the work achieves a raw, documentary-style portraiture that feels both intimate and expansive. The result is a sophisticated examination of personality within a rigid urban landscape, effectively utilizing depth of field to ground the subject in a tangible, fleeting moment of city life.